The photojournalism profession is a highly competitive one, with employers looking to hire the best candidates for jobs, pay high salaries and offer promotions.

Photojournalists are typically paid well for their work, with a median salary of $76,200, according to data compiled by Thomson Reuters.

A few of the biggest employers, like the Associated Press, The New York Times and the Associated Journals, are also hiring for positions as photojournalists, according a study from the Institute for Creative Journalism.

The photo industry is a growing business in the United States and around the world, with about two-thirds of global market share.

In 2015, global revenues reached $2.9 trillion, according the IJ.

Global revenues for all media were $2,056 billion.

For 2017, the industry grew to $2 trillion, representing about 18% of the global media market.

Photo industry professionals are highly skilled and can be recognized for their skills in both digital and print media, according as a 2015 study from New Media Research.

The job is demanding, according some studies, with more than half of all photojournalistic positions requiring advanced degrees.

A recent study from The American Society of Newspaper Editors found that the median pay for photojournalistics workers was $78,000, while an additional 40% earned between $100,000 and $200,000.

Photo journalist salaries are usually higher than those in other fields, such as engineering and architecture, because of the industry’s size, according Tozi.

The median salary for photo journalist is $72,600, and a few companies offer more than $200k annually, according Aspen Research.

Photo journalism has an impact on the image quality of images and the quality of digital images, said Tozi, who is also the editor of the photography education publication Photography Is Not a Crime.

He said a lot of people would choose a job in photography if they were looking to make money.

“But in the end, the image has value,” he said.

“The photographer’s job has value.

It’s a way of making a living.”

Tozi said many photojournalistas are “very talented,” but the profession is also expensive.

The average cost of a photojournal for a professional photojournalistically-trained person is $84,000 per year, according data compiled from Thomson Reuters, while the average cost for a photo journalist who does not have a professional background is $40,000 annually.

“It’s a big challenge,” said Toza, who also runs the Photography Is not a Crime blog.

“We don’t have any way to measure the value of an image for photographers.

We just have to live with it.”

Toza said the current system of paying photojournal photographers based on years of experience is outdated, and many photo editors aren’t being paid for their experience, which means their work is not being recognized as art.

He also said there are no standards to determine whether a photo has been published, and there are too few standards for certification.

The problem of paying a photo editor based on a set of credentials, including photo-journalistic experience, is one that has been around for years, according Tobi L. Tozi is the president and CEO of the National Association of Photo Editors and is the author of The Photography Is a Crime Handbook.

“Many people are not being paid because they’re not good at it,” he told The Associated Press.

“People are not getting paid because their work doesn’t meet standards.

It doesn’t make sense to me.”

Photojournalism is growing and with it, so are the jobs.

According to a recent report by the National Photo Editors Association, the demand for photo-editing jobs is growing by 20% annually.

Photo editing, which is traditionally considered the most prestigious job, has been growing at a faster rate than any other type of job in recent years, with growth outpacing all other types of jobs.

A new generation of photojournalics is entering the profession, and more jobs are opening up.

“What we are seeing is the number of photographers entering the photo editing profession has doubled in the past five years, and it is continuing to grow,” said Lissa L. Bouchard, vice president of public relations and communications for the National Geographic Society.

“More and more photographers are entering into this field.

We’re seeing more and more people with experience and education.”

The number of digital photography students is increasing by a similar rate, with the number going from 4,814 in 2015 to 9,542 last year.

And as digital photography is more and the demand is growing, it has become increasingly difficult to find enough professional photo editors to fill the jobs, said Jennifer D. Schwanzer, the executive director of the Association of Digital Photo Editors.

“There is a shortage of experienced digital photo editors and that is creating a shortage,” she said.

In addition